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Sung-hua inkstone with phoenix
and dragon motifs
Kang-hsi period ()
Ching Dynasty

Sung-hua inkstone with pine tree motif
Yung-cheng reign ()
Ching Dynasty
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National Palace Museum
A Special Exhibition of Sung-hua Inkstones
Gallery 310
Opens 2002/08/28
Sung-hua inkstones were primarily
produced from the sung-hua stone of Kirin province (from which they take their name) and
the ch'iao-t' ou stone of Pen-hsi County, Liaoning. The former is a yellow-striated
greenstone, while the latter is generally characterized by a mixture of purple
and green, green and yellow, or pure purple color. The sung-hua category can be further
broadened to include another type of inkstone, this one yellow in color with horizontal
striations, which also appeares to originatefrom the northeast. Of these various
categories, the "pure" sung-hua stones of Kirin are the most aesthetially
desirable, possessing a beauty comparable to that of the finest Tuan and She inkstones.
Prior to the Ch'ing dynasty, sung-hua stone was regarded as a utilitarian material that
was primarily used for fashining whetstones. This all changed in the late seventeeth
century, when the emperor Kang-hsi, in deeming the stone suitable for grinding ink,
elevated it to the heights ofimperial favor. The fact that the source of the stone lay in
the traditional heartland of Manchuria gave it particular
resonance with the Manchur ruling class, who perceived the inkstones a a source of
cultural pride and used them a important deplomatic and political gifts.
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