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| #255 | vana
| Replies: 1 | 02/21/2005 | ||||||
i have two paiting byl L.KEERY and SALLY,can you tell mi more | |||||||||
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| #253 | Tonya
| Replies: 0 | 02/08/2005 | ||||||
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Hello, I have a painting by an german artist name A.Heinrich. I have spent the last three days trying to gather information about the subject. The title say's night scene. I see that it was originally sold at an auction because of the auction number on the back of the painting. I see that there are a few artist with the last name Heinrich can anyone assist. I have photo's that I can send. Thanks | |||||||||
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| #252 | M FORDYCE
| Replies: 0 | 02/07/2005 | ||||||
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WANT TO CANCEL CD 9039 ACOUNT PAID BY DEBIT CARD £14.99HOW DO I DO IT ????????????? MAGGIE HELP PLEASE | |||||||||
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| #251 | ron
| Replies: 0 | 02/01/2005 | ||||||
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I'm looking for abstract artworks by Ceasar Domela (Dutch artist, lived in Paris for a very long time). | |||||||||
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| #250 | Lori King
| Replies: 0 | 01/31/2005 | ||||||
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I am looking for information on a E.W. Glover, who is an oil painter from around 1930, I own an art deco fireplace screen painted by him, and am curious about it's origins as it extremely unique | |||||||||
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| #249 | Frank Van Weezendonk
| Replies: 2 | 01/29/2005 | ||||||
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I have two original paintings for sale: - J.E. Roodenburg, at left signed HER'51, painting = Kockengen; painting depicts houses / 'gracht" - J.E.Roodenburg, at left signed Amsterdam 1955 HER, shows church tower, houses, "gracht" - several original litho's from Roodenburg If interested to buy., e-mail me back, and put in "Subject header": YOUR ROODENBURGS". | |||||||||
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| #248 | Alley
| Replies: 3 | 01/16/2005 | ||||||
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I have two currier&ives prints. Both known as the darktown series. Ones is entitled"All broke up" and the other is entitled "A sure thing" I am interested in knowing the approximate value of them. I am not a dealer just a private person who aquired them. THey are dated 1880's and are medium size. Thank you... | |||||||||
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| #247 | Bob
| Replies: 0 | 12/27/2004 | ||||||
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I have what appears to be a photo engraving of a little girl with a bowl and spoon by Bouguereau. It is signed in pencil and followed by the #44.Any info on this work would be appriciated Thanks Bob | |||||||||
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| #246 | Tonya
| Replies: 0 | 12/25/2004 | ||||||
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I have an andrew wyeth signed print by him. The title is the olson's and it just says brandywine.I am trying to determine its value if anyone has any idea please send ne a response | |||||||||
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| #245 | jo weissman
| Replies: 0 | 12/13/2004 | ||||||
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I have an oil painting by the American artist Frederick Kessel Does anyone have any info on how I can find its value? | |||||||||
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| #244 | jo weissman
| Replies: 0 | 12/13/2004 | ||||||
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I have a David Porter lithograph and I'd like to get an idea of its value. It has some water stains around to edge. I live 45 min. from Manhattan, NY, does anyone know where I can take it for an idea of its worth? I'd like to sell it or donate it. | |||||||||
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| #243 | Terry Noack
| Replies: 3 | 11/19/2004 | ||||||
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Am looking to find anything on an artist named Sebnars Alquist. Am in possession of a seascape painting by above named artist.The painting is enclosed in a frame made by Viggers and Hewett of Brokklyn, NY, circa 1920's possible. Thank you for any information. | |||||||||
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| #242 | Minda
| Replies: 2 | 11/19/2004 | ||||||
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I have a painting that is signed Che The only name I seem to be able to find that would match is Chuang Che. Did he sign his paintings like this? I can send a photo if needed. Thanks | |||||||||
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| #241 | Lucy Neville
| Replies: 1 | 11/18/2004 | ||||||
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Hello,im a history of art student doing an essay on Giovanni Bellini,(VENITION RENAISSANCE ARTIST)and wondered if anybody out there knew who said "his study of light is such that one can depict season and even the hour of day" i have to reference everything for this essay and i don't remember where i got the quote from or who said it! please help if you can! | |||||||||
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| #240 | Chin Yang
| Replies: 0 | 11/15/2004 | ||||||
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November 15th 2004 is the last date on which 123Soho.com accepts submissions to ”The Best of 123Soho, 2005” art show. Starting with Monday January 3rd, 2005, we will display on the home page 5 artists per month every alternate month until we have shown the work of all 30 winners. The selections will be made from the submissions that we received. The winning artists will also be announced via press releases. | |||||||||
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| #239 | de giovanni luigi
| Replies: 0 | 11/13/2004 | ||||||
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Avrei piacere che voi interveniate alla mia mostra. Cordialmente saluto Luigi De Giovanni IL PRESENTE VALE COME INVITO PERSONALE di LUIGI DE GIOVANNI PRESSO RAGGIO VERDE-ASSOCIAZIONE ARTISTICO SOCIO CULTURALE via Federico d'Aragona, 4 LECCE Tel. 339 4038939 - 339 5607242 E-mail: raggio_verdeonlus@libero.it INAGURAZZIONE Sabato 4 Dicembre 2004 alle ore 18.30 la Mostra rimarrà aperta fino al 4 Gennaio 2005 Orario di Galleria dalle 17.30 alle 21.00 J’accuse di Ambra Biscuso “Io sono convinto che il nostro fratello che vive nel sottosuolo lo si debba tenere alla cavezza. Si, perché per quanto egli sia capace di restarsene lì zitto nel sottosuolo foss’anche per quarant’anni, il giorno che vien fuori non ce la fa proprio a trattenersi, si mette a parlare, parlare, parlare… alla fine, signori miei: è meglio non far niente! È meglio la consapevole inerzia! E dunque evviva il sottosuolo!” (F.Dostoevskij) Dal caos nasce la vita che si consuma nella lotta. “J’accuse” urlano nella loro fissità motoria i jeans di De Giovanni, divenuti vuoti involucri senza corpo dove la storia è scritta a lettere maiuscole, dove la parola si perde nel silenzio. Eravamo abituati e leggere nelle opere di De Giovanni il grido della rivoluzione e l’avvertimento che tutto poteva finire nella controrivoluzione. Eravamo abituati a leggere: LIBERTA’, CAOS, VITA…LIBERTA’, VITA, CAOS…, jeans usati come tela su cui tesseva con il colore il suo dissenso verso una società che stritola la libertà dell’uomo a favore dell’interesse individuale, del capitalismo. Era il suo parlare. Parole come colori o colori come parole invadevano l’azzurro del cielo stracciando di rosso il giorno, le vele gonfiate dal vento dell’ideale solcavano i mari della speranza. Parole segnavano l’orizzonte ed il nero marcava la circolarità della vita e definiva il pensiero. Parole, tante, numerose come compagni nei cortei. Oggi il parlare di Luigi De Giovanni è cambiato, il rosso, il blu, il giallo brillante di un tempo si spengono cedendo il posto alla notte, nessun orizzonte trattiene la parola libertà. Le parole sembrano reperti archeologici del passato, menhir di MORTE svettano tagliando in due la tela e l’orizzonte è L’Urlo Nel Buio. Il grido rivoluzionario indietreggia e le parole lasciano il posto ai numeri: 50 7x7 49 … due per due quattro. Mi riporta alla mente Dostoevskij quando in: “Memorie del sottosuolo” dice “…forse tutto lo scopo al quale tende l’umanità consiste soltanto e per l’appunto in questa perpetuità del processo del suo raggiungimento, o in altre parole: nella vita stessa, e dunque non nello scopo considerato di per sé, - il quale scopo, si capisce, non dovrà essere altro se non appunto quel due per due quattro, ovverosia una formula; in effetti quel due per due quattro non è già più vita, signori miei, bensì il principio della morte” Ed il 7x7 49 non è più vita ma il principio della morte? Dopo il 2 per due non rimane nulla, se non la consapevolezza che ogni azione si termina in un urlo nel buio, mentre il pensiero affoga nell’infinito e benché l’artista tenti di sprofondare nel letto molle dell’inerzia, cercando di sfuggire all’infinito, non riesce a sfuggire al suo pensiero perché ne è prigioniero e carceriere per scelta e per bisogno. Ed anche i numeri svaniscono e rimane l’uomo abbracciato al ricordo: un gruppo di nostalgici segna il passo dietro un corteo trattenendo tra le mani una vecchia bandiera lacera e stinta con sopra scritta la parola libertà e benché De Giovanni appenda la sua rivoluzione ad una gruccia la dipinge di rosso e il jeans dipinto sul jeans diventa memoria. Aderenze contestuali. Ma anche il due per due quattro svanisce. Rimane l’uomo, l’uomo che vola nel suo pensiero oltre il limite imposto dalla forma, oltre il limite di quella linea bianca tratteggiata che compare su una tela, quasi strisce pedonali nella memoria, dove la parola libertà non è scritta ma si legge e l’eco della rivoluzione svanisce lasciando l’immagine piatta di un jeans sul jeans. “J’accuse!”. Programma 2005 Venezia galleria d´arte"III Millennio" Firenze galleria d´arte "Mentana" Filadelfia "Fiera dell´arte" Presentato dalla galleria d´arte "Mentana" di Firenze Curricolo http://www.degiovanniluigi.com/ lmfedeg@libero.it Tel. 070 664489 Cell. 3283516620 Cordiali saluti Rosa F. Murgia | |||||||||
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| #236 | Francesca Gormley
| Replies: 0 | 11/11/2004 | ||||||
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I have been told that not all work which fall in the period of modernism is modern. Does anyone understand this and have an example to show it? | |||||||||
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| #235 | jenny
| Replies: 3 | 11/09/2004 | ||||||
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i have a lithogragh of a chinese emperor and a young male, it has a spain seal and has arte chino lamina VIII palscio real de aranjuez - espana it also has the year 1974. any one with info please contact me. | |||||||||
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| #234 | d'andre dillard
| Replies: 1 | 11/04/2004 | ||||||
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i have an ink on paper scroll(128.5cmx67cm)said to be of Tung Pang-ta(1699-1769)of the Ch'ing dynasty and i need any info on it. I also have another one but there were no papers with it and i don't know if they are authentic or not but would like to find out. thanks | |||||||||
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| #233 | gary
| Replies: 0 | 11/03/2004 | ||||||
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I have an oil painting and would like to have some lithographs of it done. I can't seem to find anyone to help me because of it's size, 24X48 anyone know of a good company? | |||||||||
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| #232 | Stevie
| Replies: 0 | 10/09/2004 | ||||||
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can anyone help me identify the signs and symbols from Lin Onus' "Bir Warrarra Bama - Red Sunset at Bama"? | |||||||||
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| #231 | Kathleen Kilpatrick
| Replies: 0 | 10/06/2004 | ||||||
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Does anyone know the artist/painting name of the painting on the staircase wall in The Thomas Crown Affair that the camera pans upward to when Pierce Brosnan and Renee Russo are making love on the stairs??? The painting is of a woman seated on the front of a sailboat and the colors make it look as though she is sailing off into the sunset, literally. I have asked some art history friends and they do not know. Does anyone know??? | |||||||||
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| #230 | luigi
| Replies: 0 | 09/20/2004 | ||||||
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“URLO NEL BUIO” PERSONALE DI LUIGI DE GIOVANNI CAGLIARI - GALLERIA “LA BACHECA” – DAL 9 AL 20 OTTOBRE 2004-08-28 “Urlo nel buio” olio su jeans cm. 100x80 L´"Urlo Nel Buio" si diffonde, si amplifica sino a diventare assordante per poi affievolirsi e farsi ricordo, spesso doloroso e bruciante. Un jeans, dismesso e irrigidito in una malgama di colori e scritte, che conserva ancora i toni originali dell´azzurro.....,è pronto a cambiare funzione e ad assurgere ad opera d´arte. Esso urla ancora il suo esistere, la sua storia, i suoi significati. Il discorso sulle mostre, che Luigi De Giovanni tiene prima alla piccola galleria "Sutta Le Capanne Du Ripa" a Specchia (Lecce) per continuare alla "Bacheca" di Cagliari e concludersi alla galleria "Raggio Verde" di Lecce, può incominciare dai jeans. In un angolo di ciascuna galleria si trovano accatastate pittosculture, rigide e duttili elementi di una istallazione, sono un "mucchio di jeans dipinti", nei quali si percepiscono le urla delle scritte: morte, morire per...., distruzione, libertà, aiuto, urlo nel buio..... Alcuni jeans sono malamente appesi alle grucce e la loro instabile collocazione suggerisce la precarietà delle cose della vita; altri sono uniti o stesi a mo' di tela su rustici telai che sembrano, nonostante le scritte, rassicurare lo spettatore. Il mucchio, realizzato in modo apparentemente casuale, ha una sua logica, infatti se si prova a spostare i jeans che stanno nella parte superiore, si intravedono scritte e colori di quelli sottostanti e l´urlo dei primi si ripete e si amplifica. In quel mucchio c´è l´uomo e il jeans, umile pantalone da lavoro, simbolo di contestazione e ribellione, indumento snob moderno, invecchiato, macchiato e strappato in sartoria, racconta la storia. I jeans sono per De Giovanni il percorso dell´uomo d´oggi, disposto a tutto per ottenere il potere e la ricchezza, che si commuove per un fiore, un cucciolo, un fringuello, ma non sa vedere l´uomo che vicino a lui soffre. Si i jeans sono l´emblema della debolezza e della contraddizione umana. Distruzione, morte, urlo nel buio rimbombano nel mucchio ma le parole vivere e vita, anche queste scritte sui jeans, sembrano voler dare speranza. De Giovanni ha iniziato a dipingere queste opere, tutte realizzate su vecchi pantaloni jeans, negli anni ottanta e sono un´evoluzione di quelle materiche ed informali, realizzate con tecniche miste, intitolate "scalate sociali" e risalenti agli anni settanta. I jeans, simbolo dello sconforto che prova un ex utopista che pieno di speranze desiderava cambiare il mondo per renderlo migliore, sono i protagonisti della ricerca artistica del pittore. Le opere in mostra sono la denuncia di una delusione profonda di chi, perse le speranze di figlio dei fiori, si ritrova fra guerre fratricide, terrorismo, violenze ingiustizie e morte. Ecco "l´urlo nel buio" un´eco disperata che travolge l´umanità che va via via perdendo la speranza. rosa f. murgia NOTA BIOGRAFICA: Luigi De Giovanni nasce il 12 Febbraio del 1950 a Specchia (Lecce). Si diploma all´Istituto d´Arte di Poggiardo nel 1969. Nel 1974 si diploma all´Accademia delle Belle Arti di Roma. Dal 1970 al 1978 segue il Corso Libero del Nudo. Sin dalla più tenera età esegue disegni ed acquerelli seguito dalla madre. Nel 1967 dipinge assiduamente e fa la sua prima mostra collettiva. Nel 1973 con il maestro Avanessian inizia lo studio dell´imprimitura delle tele e delle terre. Nel 1974 si perfeziona nella tecnica ad olio. Nel 1980 sperimenta la tempera all´uovo; realizza alcune opere con un unico filo conduttore "scalate sociali". Nel 1988 sperimenta tecniche miste con l´uso di materiali di scarto simbolo di "rifiuto" quali: segatura, trucioli metallici, pezzi di gomma inservibili, carta e tessuti. Inizia il rapporto con la Galleria "Mentana" di Firenze che lo presenta alla Fiera Arco di Madrid. Nel 1986 comincia a realizzare e ad esporre opere che hanno come filo conduttore "l´angoscia nella società attuale"; comincia ad usare i jeans vecchi come tele per le sue opere a carattere sociale. Programma autunnale; Roma galleria d´arte "Della Tartaruga" dal 25 settembre al 05 ottobre 2004.- Cagliari galleria d´arte "La Bacheca" dal 09 al 22 ottobre 2004.- Lecce galleria d´arte "Raggio Verde" dicembre 2004.-Firenze collettiva alla Galleria "Mentana" tutto Dicembre 2004 Programma 2005 Venezia galleria d´arte"III Millennio".- Firenze galleria d´arte "Mentana" Filadelfia "Fiera dell´arte" Presentato dalla galleria d´arte "Mentana" di Firenze Curricolo http://www.degiovanniluigi.com/ lmfedeg@libero.it | |||||||||
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| #229 | Ickenox Fine Art Consultants
| Replies: 0 | 08/25/2004 | ||||||
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We are launching a brand new web site concept to marketing art on the internet and offline. We are restrcited to selecting only 200 international artists for this new concept. We market your art work direct to the art trade, press, corporate - businesses and residential clients. Submit you webiste url address to us only. If accepted - we will send you a registration form. enquiries@ickenoxartshop.co.uk For Art Exhibitions and Art Auctions - Also submit your artist entries visit: www.ickenoxartshop.co.uk\notice_board.htm | |||||||||
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| #228 | Dindi Besinga
| Replies: 0 | 08/23/2004 | ||||||
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I would just like to inquire. I have written, in some of my artworks, a note saying that I am submitting them for the "Best of 123soho art show". Is that sufficient? Or do I still need to sign up a form? Where can I get this? How do I know that my works are already noted? Will I have a confirmation or decline note to know wether my works are choosen or not? Thanks. Hope to hear from you guys soon. | |||||||||
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| #227 | Carol & Imran Mian-Starr
| Replies: 1 | 08/16/2004 | ||||||
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Hello, We, Carol & Imran Mian-Starr (husband & wife) design and create hand carved - inlaid art and furniture in wood. We just joined the site today and see that our work is on the home page. There is one concern from our side that how does one decide the pic that will be displayed next to his/her work around the site. Since every artist has one or a few favorite pieces. Thank you in advance, Carol & Imran Mian-Starr | |||||||||
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| #226 | L. Wood
| Replies: 6 | 08/11/2004 | ||||||
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I have a print done by Roberto Lupetti that I would like to know the value of and cannot find one thing about it on the internet. This print is very old. The print is called "Silent Strings" and is # 224/1000 it is a limited edition which I have the Affidavit Of Limited Edition certificate for. Does anyone know anything. I do not know if I am not researching properly or what because I find very little about the artist and no one seems to sell any of his work other than a few paintings in galleries that I have seen listed. Thank you L. Wood | |||||||||
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| #225 | Glenn Cramond
| Replies: 0 | 07/24/2004 | ||||||
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Could anyone please give me an idea of the value of a sterling silver plate. "The Stockmen" is a numbered limited edition 403 of 1003. The Etching is on a HALLMARKED Sterling Silver Plate. The etching was originally created expressly for this plate by Sir Russell Drysdale whose signature appears on the Certificate of Authenticity. The plate measures 205mm diameter and comes in a protective pouch. The medallion on the back of the plate showns has the serial number of the plate engraved. Thanks. Glenn www.metalbashatorium.com | |||||||||
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| #224 | Cynthia Houppert
| Replies: 0 | 07/18/2004 | ||||||
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The Artist's Atlas has moved to http://www.artstruck.net for Art marketing resources. | |||||||||
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| #223 | bruce klein
| Replies: 0 | 07/17/2004 | ||||||
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what is the best projector to use to project a slide onto a 7 by 7 ft canvas and copy the image in pencil onto the canvas ? what one retains detail and color most accurately | |||||||||
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| #222 | Walter Yankowich
| Replies: 0 | 07/10/2004 | ||||||
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Looking for any info on Aurora Lupetti and her work. | |||||||||
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| #221 | kosta
| Replies: 0 | 07/06/2004 | ||||||
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hi everybody i`m KOSTA.R.KACHKACHEV from ISRAEL and i`m new here. welcome to see and discuss about my works | |||||||||
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| #220 | i`m here
| Replies: 0 | 07/06/2004 | ||||||
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hi everybody i`m KOSTA.R.KACHKACHEV from USRAEL and i`m new here. welcome to see and discuss about my works | |||||||||
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| #219 | bh
| Replies: 0 | 07/03/2004 | ||||||
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Maybe someone can give me some help and advice. I was in a junk store today and got a great deal on some art. I don't think the shop owner knows what she has. Today she let me buy Sugiura print for $6.00, it is numbered in pencil and is a limited edition. I also bought another print but the signature is in Japanese, with a red stamp. She is putting more out tomorrow, but did let me get a sneak peek. One that looked interesting is a large watercolor painting of a nurse, she kind of looks like a salvation army nurse?? I can't find it anywhere on the internet, I couldnt get the artist name. Since I don't know much about art, I am having a hard time finding what I have, the signatures are so hard to read. What is the best way to to get a quick idea of what you have using the internet? | |||||||||
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| #218 | R Lobjois
| Replies: 0 | 06/01/2004 | ||||||
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20 years ago I purchase 2 paintings #1 from Lynn Lupetti it is a girl playing some kind of violin #2 from Roberto Lupetti it is a rabbi face the beard is so real you can touch it ,I LIKE TO KNOW WHERE I CAN GET GOOD APPRAISALS R.L, | |||||||||
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| #217 | jt
| Replies: 24 | 05/29/2004 | ||||||
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does anyone know who the artist is for the painting above Thomas Crown's Bed? It's of women at water | |||||||||
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| #216 | ellis kevin
| Replies: 0 | 05/25/2004 | ||||||
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we have a ocean scene that 24 x48 it is of the sun sitting on the ocean date on back is 12-5-1970 it sign by roberto lupetti just wondering it vaule | |||||||||
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| #215 | Bernard
| Replies: 0 | 05/24/2004 | ||||||
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I am looking for a piece of art that was used in the thomas crown affair(1999). It is the one in his bedroom that shows maids looking into their reflection on the floor. Any help would be great. I just love this piece. | |||||||||
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| #214 | tana bierce
| Replies: 0 | 05/21/2004 | ||||||
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I will be in Manhattan June and July and would like to find a begining art class in oils or watercolors. Would anyone kno where to find one? | |||||||||
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| #213 | Steffen
| Replies: 0 | 05/13/2004 | ||||||
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What is the name of the painting, which is shown in the movie "The Thomas Crown Affair". On the painting you can see a man wearing a bowler hat with an apple in the middle of his face? Please help me!!! | |||||||||
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| #212 | S Deally
| Replies: 0 | 05/10/2004 | ||||||
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I need to find a painting depicting christ as a comparison to Kramskoys Christ in the Desert Any ideas? Its for a hisory of russian culture essay to show what is meant by realism to the non art student. I dont know much about art, Im a history student so any help would be much appreciated even if its just a good place to look for pictures Thanks | |||||||||
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| #211 | Philip Dawber
| Replies: 0 | 04/02/2004 | ||||||
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How do you tell the difference between a print and an original watercolor behind glass? | |||||||||
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| #210 | Elinor
| Replies: 0 | 03/22/2004 | ||||||
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Does anybody know how many prints were made of Lupetti's charcoal drawing of the young rabbi? I have a print, but there is no information on the back because the backing was removed. | |||||||||
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| #209 | PC Taal
| Replies: 4 | 03/21/2004 | ||||||
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I am looking for engravings of HE Roodenburg. Specially engravings of Wassenaar. All others are also welcome. Please contact me by e-mail: pctaal@wanadoo.nl Ik ben op zoek naar etsen / tekeningen van HE Roodenburg. Speciaal etsen van Wassenaar e.o. Alle andere etsen zijn ook van harte welkom. Neem a.u.b. contact op per e-mail: pctaal@wanadoo.nl In afwachting PC Taal | |||||||||
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| #208 | Liz Morris
| Replies: 1 | 03/20/2004 | ||||||
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I have a large lithograph with the following markings: Upper right corner: PL2 Bottom right corner: Baltard del.et.sculp Center bottom: Vue de la Colannade Louve Prise du Larden de hotel d Angevillier Can anyone tell me anything about this very large print? I have taken a picture of this and can send if needed. Thank you. | |||||||||
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| #207 | charles
| Replies: 0 | 03/14/2004 | ||||||
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where is the original Rembrandt paintinggirl with broon" on display. How would i find out how many reprints of this oil painting were made, also i was told a reprint can be seen on the re-runs of the t.v. show "bewitched" thank you for you time. charles | |||||||||
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| #206 | jacy
| Replies: 0 | 02/12/2004 | ||||||
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Any one know about the book call "Writing the artist statement" by Ariane Goodwin It is a good reference book? | |||||||||
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| #205 | galvan
| Replies: 0 | 02/12/2004 | ||||||
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Pages from Art History of art journal THE SECRETS OF PERFECTION In Remembrance of portrait artist José Galvan (1910-2001). Paris Montmartre. Magic Art Impressionism BIOGRAPHY of GALVAN José - painter with MONTMARTRE Workshop:31, street Gabrielle - PARIS 18th GALVAN José - ASPE (Province of ALICANTE - Spain) July 30, 1910 - BENIDORM (Spain) August 25, 2001. To the 19 years age, it went to live with ALCOY (Spain) and works in an industrial school where it draws copies. There, its Professors notice his work and direct it in the section "drawing according to nature". After the civil war, it follows courses of the evening to BARCELONA (school REAL CIRCULO ARTISTICO).Il paints alive models then. It exposes the naked ones, portraits and landscapes in BARCELONA, PERPIGNAN (1959-1960) and in MONTPELLIER. GALVAN settles in BUTTE MONTMARTRE in PARIS in 1962 and exposes to the Living room of free Art. With the Large Palate, it is present at the exposure of the Spanish painters of PARIS, organized by the Ministries for the Culture of France and Spain. With MONTMARTRE, it takes part in the manifestations of the Town hall of XVIIIe and shows its works in the church hall of theSaint-Pierre church. The biography of the Spanish painter José GALVAN appears in the DICTIONARY OF PAINTERS A MONTMARTRE (1999) - Editions Andre ROUSSARD - 13, street of the Mount Cenis 75018 PARIS FRANCE. ************************************************************************** Spanish artist José Galvan settled in Paris in 1962 and from this time his life became connected with Montmartre for ever. In last two centuries shrine of art Montmartre lodged a lot of artists from different countries, those who flew their own countries and sought safety or those who sought romance and colleagues leading world's artists. From the nineteen century Paris dictated not only fashion, but also movements of art. Origin of modernism also can not be disembodied from France. But modern art did not touch the most sensitive soul of artist José Galvan. Art impressionism cast a glamour the artist, and he chose this mean of artistic expression. As like Masaccio was born with temperament of Giotto in next century as artist José Galvan was born with temperament of Renoir. Looking at his pictures we feel how strong were his feelings to his native country Spain, its harbors, its songs, dancers and showgirls, to Paris and Parisians. Only being in Montmartre, walking on the ground that was stepped by his favorite artists was for him supreme happiness. This happiness made him got dizzy, because this happiness was too large for a human being. This happiness was a reason of his long enough life. It seems inspiration never leaves him. In some aspects creative work of José Galvan can be related with sentimentalism of Spanish artist Murillo and with tenderness of young Goya. Yes, art of José Galvan is sweet, sweet to inconceivable degree, but this sweetness is so true, poetic, sublime and excused that the author can not be objurgated in any case. We can compare Galvan's copy of Renoir LES JEUNES FILLES AU PIANO with original for the seeing their differences that are the differences between French impressionism and its variation by Galvan. Galvan is more monumental, broad brushed. If Renoir concerns more about details, Galvan about the whole of picture. José Galvan paints mixing paints on palette. Galvan's contrasts of values are less, lights warmer and softer, motions of figures also softer and more natural, lines play greater role. Galvan is a master of wavy vibrating line. Especially it is seen in drawing below TROIS ETUDES DE NUS. Galvan more spiritual. He converts prose of Renoir into poetry. Thus we may conclude that painting of José Galvan is particular mixture of French impressionism and Spanish classical art. If Renoir went toword modernity, José Galvan tried to seek eternal valuables. Jurate Macnoriute TO CLICK ON The WEB Of the ARTIST http://josegalvan.1stOK.com http://quebec.to/f/galvan Write your impression by e-mail with thank you la.butte.montmartre.paris@wanadoo.fr | |||||||||
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| #204 | katarina forsberg
| Replies: 0 | 01/28/2004 | ||||||
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I would like to open a "paint your own pottery store" but does not know how to go about it??? Please, if anyone has info, let me know! Thanks, katarina | |||||||||
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 Jimmy Wang Waiting for Partner |
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Miroslaw Chelchowski
refreshing my mind |
Cervio Barbara
happy drops |
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