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Linda Vallejo |
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Artist's Statement
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"
Nature is not only all that is visible to the eye, it also includes the inner pictures of the soul."
Edward Munch
My first memory of painting was at four years of age and it has continued as my life’s dedication. My goal as an artist has been to consolidate multiple, international influences gained from a life of study and travel throughout Europe, the United States and Mexico. My creative influences are many and varied. They include the surreal, violent, and spiritual images of Picasso, Goya, and Dali, Turner’s mysterious and glorious skies and cloud formations, Rothko’s distant horizons and soft edges, the monumental forms and brilliant coloration of the Mexican muralists Rivera and Siqueros, and the sensual power of Georgia O’Keefe’s landscapes. I have also been deeply influenced by international contemporary artists such as Kaoru Arima’s (Japan) haunting manipulated newspaper collages, Ana Mendieta’s (USA) uncanny use of nature and natural materials combined with photography, Lee Bontecou’s (USA) nature-inspired, mixed media “crystalline” sculptural forms, Harum Farocki’s (Czechoslovakia) monumental digital photographs and videos, Isa Genzken’s (Germany) complex digitally-based mixed media sculpture, and Mangelos’ (Croatia) postproduction digital paintings and sculptures. Finally, I have always had a keen interest in ancient architectural sites, history, and mythology. I have visited several sites in both Europe and Mexico, studied ancient philosophy and symbolism, and participated for the past twenty years in indigenous ceremonial rights. All of these influences have been brought together to create two environmentsentitled A Prayer for the Earth and HOPE, In the Midst of War, Death and Destruction.
During the first twenty years of my career, my painting and sculpture investigated humanity’s fundamental and metamorphic relationship with nature through the completion of over 200 “fantastic realism” landscape oil and acrylic on canvas paintings and 50 earth-based sculptures made of found tree fragment and handmade paper. As I continued to explore images to articulate the significance of our relationship to the natural world, I began looking for ways to incorporate these paintings and sculptures into a three-dimensional presentation. After much investigation and experimentation, I produced A Prayer for the Earth and HOPE, In the Midst of War, Death and Destruction.
A Prayer for the Earth was originally presented at The Carnegie Art Museum in California. This first environment combined paintings representing the beauty of nature; earth-based mixed-media sculpture focusing on a symbiotic relationship to nature; a central “mandala” of manipulated photographs with images of pollution juxtaposed with images of international indigenous cultures in the act of ceremony and prayer; all surrounded by a mixed media assemblage depicting earth, water, fire and air. A Prayer for the Earth has been successfully installed at the Los Angeles Natural History Museum, the Los Angeles Craft and Folk Art Museum, and the Orange County Center of Contemporary Art in 2006 and 2007.
HOPE, In the Midst of War, Death and Destruction, an installation originally produced in 2003 in response to 9/11, is a political and spiritual statement focusing on the reconciliation of opposites: the spirituality and tranquility of nature juxtaposed to the carnage and violence of war. This original installation combined paintings inspired by Goya’s Desastres and a central “mandala” of manipulated photographs containing images of war dead (Civil War, WW I and II, Korean Conflict, Vietnam, Iraq, Auschwitz and Hiroshima) surrounded by an assemblage of natural forms and symbols representing HOPE.
After continued research and development, both A Prayer for the Earth and HOPE, In the Midst of War, Death and Destruction have become environments with accompanying mixed- and multi-media sculpture and collage components. This newest series of digitally based works have been designed to reveal the complexity and obscurity of postmodern life and experience, and to serve as “juxtaposing” elements within the environments. Censored, GTMK?, The Ferris Wheel, Postmodern Trash, and Earth’s Altar utilize pre-produced wood and plastics, newspaper pages, and recycled products in combination with mixed media and manipulated digital images taken from the Internet and my own paintings. The environment is installed in one or two rooms, with paintings and collages placed on walls, sculpture placed on walls and pedestals as appropriate, and the central “mandala” composed in the center of the floor space. Walls and floor may be painted in brilliant colors to unify the multiple aspects of the environment.
A Prayer for the Earth and HOPE, In the Midst of War, Death and Destruction present interlocking, juxtaposing painting, sculptural and collage elements that surround the viewer, pressing them to search for the question: “What is the value of nature in calming and resolving the confusion and losses created by the far-reaching postmodern problems of raging pollution and war?” The environment draws the viewer into a space where their attention is divided between images that portray the loss of natural resources and human life juxtaposed with images of the beauty and solace of nature and the natural world. My goal is to create a space that communicates the idea that without nature humanity, history and culture as we know it are lost, that nature is the thread that encircles and describes all of us, regardless of gender, race, age, or creed, and finally, that nature is beyond politics, religion, market, and even art! |
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Resume
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S
elected Resume
BORN
Los Angeles, California, 1951
Education
• Master of Fine Arts Degree, Cal State University Long Beach, California, 1975-1978
• Undergraduate work at the University of Madrid, Madrid, Spain, Lithography, 1975-1976
• Bachelor of Fine Arts, Whittier College, California, 1969-1974
• Undergraduate studies in independent theater arts, London, England, 1971
• Graduated from Madrid High School, Madrid, Spain, 1967-1969
Awards, Honors, Residencies, Commissions
• UCLA Chicano Studies Research Center, Artist Award, 1999
• Quien es Quien in US Commerce, National Award, 1994
• National Association Chicano Studies, Distinguished Recognition, 1993
• Comision Femenil de Los Angeles Latinas Making History Award in Art, 1991
• Certification of Appreciation, City of Los Angeles, 1986
• California Community Foundation, Brody Arts Fund Fellow, 1985
• Outstanding Young Woman of America, 1983
• California Arts Council, Artist-in-Residence, 1978-1981
Fellowships, Lectureships, and Public Speaking Engagements
• Durfee Foundation ARC Program, 2006
• Los Angeles Art Institute, Visiting Professor, 2002-2003
• Carnegie Art Museum, Oxnard California, Individual Artists Lecture, October 2000
• Cal State University, Los Angeles, Chicana Women Artists Of The 21st Century, October 2000
• Southern California Women's Caucus for the Arts, Secret Lives Of Women In The Arts, October 2000
• Museum of Contemporary Art, Key Note Speaker, CAS Program 1993-1992-1991
• Museum of Contemporary Art, Macondo Art Center, Feature Artist Presentation, 1992
• Festival Familiar de Artes Mexicanas, Artist Presenter, Hancock Park, Los Angeles, CA, 1991
• Southern California Women's Caucus for the Arts, Speaker, 1990
• Los Angeles Municipal Art Gallery, Aqui y Alla , Artist Speaker, 1990
• Museum of Contemporary Art, MOCA Education Department, Fine Arts Lecturer/Teacher, 1989
• Cal State University Long Beach, Visiting Lecturer, 1987-1988
• UCLA Artsreach, Artists In The Prisons, Life Drawings Professor, 1987
• University Of California Irvine, Visiting Lecturer, 1986-1987
• The House of Women: A Conference of Feminist Art and Culture in the Eighties, California State University, Long Beach, Conference Presenter, 1983
• Self Help Graphics and Art Inc., Los Angeles California Arts Council Artist in Residence,1975-1982
Solo Museum Exhibitions
• A Prayer for the Earth, Natural History Museum, Los Angeles, 2006
• A Prayer for the Earth, Carnegie Art Museum, Oxnard, CA 2004
• Nature and Spirit, One Woman Exhibition, Latino Museum, Pomona, California, 2003
Permanent Collections, Museums, and Institutions
• National Museum of Mexican Art, Chicago, Ill
• Carnegie Art Museum, Oxnard, CA from a gift provided through the Peter Norton Collection
• Los Angeles County Museum of Art, Print Department
• Los Angeles Latino Museum, Claremont, California
• UC Santa Barbara Library, Archive of Chicano Printmaking, California Multicultural and Ethnic Archives
• UCLA Chicano Study Research Center
Group Museum Exhibitions
• L2Kontemporary Gallery, Chinatown, Los Angeles, 2009
• 15/15, Patricia Corre Gallery, Santa Monica, CA 2008
• Spirits of LA, Los Angeles, Municipal Art Gallery, 2008-03-15
• Somos Medicia, Mujeres de Maiz, Self Help Graphics, Los Angeles, 2008
• Floating World, Metro Gallery, Hollywood, 2007
• Echoes: Women Inspired by Nature, Orange County Center for Contemporary Art,
co-curated with Betty Ann Brown, 2007
• Somos Medicia, Mujeres de Maiz, Self Help Graphics, Los Angeles, 2008
• Ave 50 Studio, Los Angeles, 2006
• International Modern Art Biennale, Florence, Italy, December, 2005
• The Tree of Life, El Camino College, November 2005
• MUJERES, Group Chicana Exhibition, Patricia Correia Gallery, Santa Monica, CA 2004
• HOPE, In the Midst of War Death, and Destruction Installation, Group Exhibition, Tropico Nopal, Los Angeles, 2003
• Dreams and Reality, The Marjorie and Herman Platt Gallery and the Borstein Gallery, University of Judaism, Los Angeles, CA, 2001
• I Bienal de Pintura Mexicana y Chicana, Instituto Cultural Mexicano de Los Angeles, 1994
• Arte Actual de Los Angeles, University of Madrid, Spain, 1992
• Estampa Chicana: La Locura Cura, Galería el Juglar, Ciudad de Mexico, 1990
• For Chicano, Casa Mexico, San Cristobal de las Casas, Chiapas, Mexico, 1990
• Aquí Estamos…y No Nos Vamos, Cal State University, San Bernardino, 1990
• Rasquachismo, Mars Artspace, Phoenix, Arizona, 1988
• In Keeping: Hope, Barnsdall Art Park, Los Angeles Municipal Art Gallery, 1988
• LA Prints: Self-Help Graphics Atelier Program, Los Angeles, CA, 1986
• Day Of The Dead, Galeria De La Raza, San Francisco, Ca, 1986
• Offerings: The Altar Show, The Social and Public Arts Resource Center, Venice, CA, 1985
• WXW: Women by Women, Galería de la Raza/Studio 24, San Francisco, CA, 1985
• The Art of Women’s Altars, Orange County Center for Contemporary Art, Santa Ana, CA, 1985
• 16th Anniversary Exhibition, Centro Cultural De La Raza, San Diego, 1985
• Southern California Women Writers and Artists, the Woman’s Building, Los Angeles, CA, 1984
• Voces de la Mujer: An Exhibition of Chicana Artists of Texas and the Southwest, Benson Latin American Collection, University of Texas, Austin, TX, 1984
• Arte Chicano: Six Southern California Artists, Santa Ana College Art Gallery, California, 1983
• A Través de la Frontera, Centro de Estudios Económicos y Sociales, México, D.F., 1983
• Madre Tierra Press Publication, The Woman’s Building, Los Angeles, 1982
• 5 California Artists, Los Angeles City College Art Gallery, 1982
• Exhibition for Dia de los Muertos, Galería de la Raza, San Francisco, CA, 1980
• Espina, LACE, Los Angeles Contemporary Exhibitions, 1980
• “Ancient Roots/New Visions”, Los Angeles Municipal Art Gallery, 1978
• Four Artists, Mechicano Art Center, Self-Help Graphics & Art, Inc., 1977
• Hexagon, Guggenheim Gallery, Chapman College, Orange, CA, 1977
Solo Exhibtions: Galleries and Institutions
• Charlotta's Pasión, Los Angeles, California, November 2006
• Sierra Art Gallery, Reno, Nevada, August 2006
• Patricia Correia Gallery, Santa Monica, California, June 2005
• Nature And Spirit, Howell Green Gallery, Topanga, California 2002
• Los Cielos, Howell and Green Fine Art Gallery, Topanga, CA, 2001
• Los Cielos, Social and Public Art Resource Center SPARC, Venice, CA 2000
• ¡Sola!, Galería Las Américas, Los Angeles, CA, 1994
Group Gallery and Institution Exhibitions
• Símbolo y Fuerza: Galería Nueva, Los Angeles, CA, 1991
• International Modern Art Biennale, Florence, Italy, December, 2005
• The Tree of Life, El Camino College, November 2005
• MUJERES, Group Chicana Exhibition, Patricia Correia Gallery, Santa Monica, CA 2004
• HOPE, In the Midst of War Death, and Destruction Installation, Group Exhibition, Tropico Nopal, Los Angeles, 2003
• Dreams and Reality, The Marjorie and Herman Platt Gallery and the Borstein Gallery, University of Judaism, Los Angeles, CA, 2001
• I Bienal de Pintura Mexicana y Chicana, Instituto Cultural Mexicano de Los Angeles, 1994
• Arte Actual de Los Angeles, University of Madrid, Spain, 1992
• Estampa Chicana: La Locura Cura, Galería el Juglar, Ciudad de Mexico, 1990
• For Chicano, Casa Mexico, San Cristobal de las Casas, Chiapas, Mexico, 1990
• Aquí Estamos…y No Nos Vamos, Cal State University, San Bernardino, 1990
• Rasquachismo, Mars Artspace, Phoenix, Arizona, 1988
• In Keeping: Hope, Barnsdall Art Park, Los Angeles Municipal Art Gallery, 1988
• LA Prints: Self-Help Graphics Atelier Program, Los Angeles, CA, 1986
• Day Of The Dead, Galeria De La Raza, San Francisco, Ca, 1986
• Offerings: The Altar Show, The Social and Public Arts Resource Center, Venice, CA, 1985
• WXW: Women by Women, Galería de la Raza/Studio 24, San Francisco, CA, 1985
• The Art of Women's Altars, Orange County Center for Contemporary Art, Santa Ana, CA, 1985
• 16th Anniversary Exhibition, Centro Cultural De La Raza, San Diego, 1985
• Southern California Women Writers and Artists, the Woman's Building, Los Angeles, CA, 1984
• Voces de la Mujer: An Exhibition of Chicana Artists of Texas and the Southwest, Benson Latin American Collection, University of Texas, Austin, TX, 1984
• Arte Chicano: Six Southern California Artists, Santa Ana College Art Gallery, CA, 1983
• A Través de la Frontera, Centro de Estudios Económicos y Sociales, México, D.F.,1983
• Madre Tierra Press Publication, Women's Graphic Center, The Woman's Building, Los Angeles, 1982
• 5 California Artists, Los Angeles City College Art Gallery, 1982
• Exhibition for Dia de los Muertos, Galería de la Raza, San Francisco, CA, 1980
• Espina, LACE, Los Angeles Contemporary Exhibitions, 1980
• Ancient Roots, New Visions/Raices Antiguas, Visiones Nuevas, Los Angeles Municipal Art Gallery, 1978
• Four Artists, Mechicano Art Center, Self-Help Graphics & Art, Inc., 1977
• Hexagon, Guggenheim Gallery, Chapman College, Orange, CA, 1977
Gallery Representation
• Patricia Correia Gallery, Santa Monica, California
• Quintana Galleries, Portland Oregon
Publications, Press, and Media
• EcoNews Television Series and Environmental Directions Radio Series,
May-August, 2006
• Latin Style Magazine, Chicana and Chicano Artists, August 2004
• Contemporary Chicana And Chicano Art: Bi-Lingual Press, Hispanic Research Center, Arizona State University, 2002
• Latin Style Magazine, Celebrating Art, Life, and El Dia De Los Muertos With Artist Linda Vallejo, Feature Article, 2001
• Nuestra Gente, Linda Vallejo Y Su Vision De Los Cielos, Artist Feature Article, 2001
• Los Angeles Times: Celebrating Life Forces: Linda Vallejo, 2000
• Saludos Hispanos: Linda Vallejo: Los Cielos/The Heavens, 1999
• Latin American Women Artists of the United States, Robert Henkes, McFarland & Company, Inc., Publishers, 1999
• Art Business News: Artists Draw from Culture and Tradition for Inspiration, October, 1997
• Art Business News: Chicano Art Moves Beyond Murals, October, 1997
• Hispanic Business Magazine: Collecting Latin American Art, January, 1997
• Southwest Art Magazine: Hispanic and Latin American Art, January, 1997
• Strong hearts, Inspired Minds: 21 Artists Who are Mothers Tell Their Stories; Rowanberry Books, 1996
• Latin Style: Arte Las Américas 1996, 1996
• Los Angeles Times: Calendar Section, September 1996
• The Latin American Women Artists of the United States, Robert Henkes Publisher, Michigan, 1995 Stanford University, The Chicana Art Multimedia Database, 1995
• Hola Los Angeles, Univision, National Bilingual Televisión,1995
• Vista LA, Buscando America, KABC, 1995
• National Public Radio, Up For Air, Artist Interview 1995
• KABC, Vista La. Buscando America, Artist Interview 1995
• A Question of Balance: Artists and Writers on Motherhood, Judith Pierce Rosenberg, Papier Mache Press, Watsonville, CA, 1995
• Artnews, Artist Review, New York, Tokyo, Japan, 1994
• Galavision, Ola Los Angeles, Artist National Televisión Interview, 1994
• The National Hispanic Reporter, Review And Article, 1994
• Artnews: United: All the Continent: Galería Las Américas, May, 1994
• Artweek: Linda Vallejo, April 7, 1994
• Latinos, A Biography Of The People, W.W. Norton, New York, 1993
• Latin American Art: Special Exhibitions: Linda Vallejo/Símbolo y Fuerza/Galería Nueva, Fall 1991
• La Opinión Newspaper, Feature Article, March 27, 1991
• Artweek: Tapping the Unconscious: Linda Vallejo at Galería Nueva, November 22, 1990
• La Opinión Newspaper: La obra de Linda Vallejo refleja el retorno a la tierra, October 13, 1990
• Exposures, Woman And Their Art, Newsage Press, 1989
• La Opinión: Linda Vallejo, una artista vinculada a la mitología y la naturaleza, May 7, 1989
• Artweek: Exhibitions: Shrines, 1988
• American Women Sculptors, Avon Publications, 1988
• Los Angeles Times Magazine: Born in East L.A., March 27 th , 1988
• So Cal Women Writers And Artists, Books of A Feather, Los Angeles, CA 1985
• Lady Unique, University Of Texas, Austin 1984
• Celebrating the Tenth Anniversary of the Woman's Building, 1983
• La Opinión Newspaper: Madre Tierra: Una Idea, Una Exposición, Una Publicación, 1983
• Caminos Magazine, Cover Story, Artist Feature, Los Angeles 1976
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About Linda Vallejo
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L
inda Vallejo, born in Los Angeles in 1951. Her mother was born in Concord, California, and her father, Adam Vallejo, was born in San Angelo, Texas, and graduated from UCLA in 1951. Her father entered the United States Air Force as a commissioned officer and the family moved to Germany. Ms. Vallejo has a brother, Tomas and a sister, Roseann. On returning to the USA, the family lived in several states. Linda attended elementary school in East Los Angeles and Sacramento, middle and high school in Montgomery, Alabama, in the early 1960’s, and completed high school in Madrid, Spain, in 1969. Linda received her BA in Fine Arts from Whittler College in 1973, completed undergraduate studies in lithography from the University of Madrid, Spain, and received a Master of Fine Arts from Cal State University, Long Beach, in 1978. Ms. Vallejo lives in Topanga Canyon, California, with her husband of thirty-one years, Ron Dillaway. Her son Robert attends Georgetown Law School in Washington, DC, and her son Paul is a graduate of UC Santa Cruz.
Regional, National and International Arts Community
Selected art exhibitions include the Natural History Museum, Craft and Folk Art Museum, Patricia Correia Gallery, Santa Monica, California, Carnegie Art Museum, Frazier Museum, Louisville, Kentucky, Tropico Nopal Art Space, Los Angeles, Santa Monica Museum, Social Public and Art Resource Center (SPARC), Armand Hammer Museum, Laguna Art Museum, Art Museum of South Texas, Anchorage Museum of History and Art, The Bronx Museum, Museum of Modern Art New York, San Antonio Museum, Mexico City Modem Art Museum, and Galeria Las Americas. Ms. Vallejo is also a practicing professional grantwriting instructor and consultant with over 25 years of experience with national clients.
Major Publications and Media include Contemporary Chicana and Chicano Art, Bi-Lingual Press, Hispanic Research Center, Arizona State University, Los Angeles Times Artist Review, October 2000, Art Business News, Southwest Art, Saludos Hispanos, Hispanic Business Magazine, "Strong Hearts, Inspired Minds," Rowanbeny Books, Los Angeles Times, and Latin Style Magazine.
Guest Lectureships and Teaching Positions includeLos Angeles County Museum of Art (1992-1993-1994), LA; Museum of Contemporary Art (1991-1992-1993), Fresno Metropolitan Art Museum; Cal State University Long Beach Art Department; University of California, Irvine, Art Department, and Santa Monica City College.
Awards include United Who's Who of American Executives, 2006; UCLA Chicano Studies Research Center, Artist Award, 1999; Quien es Quien in U.S. Commerce, National Award, 1994; National Association Chicano Studies, Distinguished Recognition, 1993; and Latinas Making History Award, Comision Feminil de Los Angeles, 1991.
Chicano Indigenous Spiritual Community
In the late 1970s and early 1980s she studied Maya and Azteca dance with Las Flores de Aztlan Troupe. During these formative years, Las Flores de Aztlan presented teachings and workshops throughout the State of California at cultural centers, universities, and in traditional Native American and Chicano ceremonies that included Fiesta de Maiz and Dia de Los Muertos in Los Angeles, Fiesta de Colores in Sacramento, and Chicano Park Day in San Diego.
Over the past twenty years, she has participated in and supported traditional Native American ceremony in South Dakota, California and Arizona. She served as a community volunteer for the Native American Religious Society, California Rehabilitation Center, Norco, for fifteen years between 1986-2001. For the past twelve years she has hosted the All Nations Women's Tea Circle, providing a social celebration focusing on indigenous values and traditions for women to become familiar with and participate in traditional ceremony and culture. The All Nations Women's Circle has created and donated giveaway baskets for the Annual Many Winters Elder's Gathering in San Pedro for the past ten years, and hosted a dinner celebration for the Annual Ancestor's Walk, feeding over 200 dancers, supporters and their families for the past eight years. Linda has also supported the Southern Door men and women's monthly Inipi circle, and has been dedicated to this circle for eight years.
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Reviews
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"
Linda Vallejo" by John Mendelsohn.
"Linda Vallejo" by Ann Landi.
"What makes Linda Vallejo’s art so compelling and relevant to contemporary life?" by William Moreno, 2007.
"Linda Vallejo: Environmental Art," Downtown LA Life, June 2007.
Contemporary Chicana and Chicano Art. Bi-lingual Press, Hispanic Research Center, Arizona State University, 2002.
"Linda Vallejo y Su Visión de los Cielos," Nuestra Gente,
Nov./Dec. 2001.
"Celebrating Art, Life, and El Dia De Los Muertos with Artist Linda Vallejo,"
Latin Style, Issue 41, Oct./Nov. 2001.
"Two of a Kind," Inland Empire Calendar, Feb. 2001.
"Chicana artists speak on their work," University Times, 167, No. 14.
November 20, 2000.
"Celebrating Life Forces: Linda Vallejo," Los Angeles Times Calendar,
Oct. 2000.
“Los Cielos 2000: The Work of Linda Vallejo” -
Sybil Venegas, art historian, writer, and professor of Chicano Studies, East Los Angeles College; September 2000.
"Oxnard Museum Readies First Exhibit of New Artworks," Los Angeles Times,
August 21, 2000.
" Notes from the Living Room Couch: A Collector Speaks Out” -
Armando Duron, major contemporary art collector, president of the Artes de Mexico Festival Committee in 1991 and ex-president of the Board of SPARC; 2000.
"Linda Vallejo: Los Cielos/The Heavens," Saludos Hispanos, May/June 1999.
Henkes, Robert. Latin American Women Artists of the United States. Jefferson, NC: McFarland & Company, Inc., 1999.
"Arte de las Americas 1996," Latin Style. Vol. II, No. 3.
Mavor, Anne. Strong Hearts, Inspired Minds. Portland, OR: Rowanberry Books, 1996.
"Vallejo and the Art of the Americas," The Hispanic Reporter. April, 1995.
"United: All the Continent, Galerias Las Americas," ARTNews. February, 1994.
"Collecting Collectors," Los Angeles Downtown News. Volume 22, number 6.
February 8, 1993.
Rosas, Alejandro. Chicano and Latino Artists of Los Angeles. Los Angeles, CA:
City of Los Angeles Department of Cultural Affairs, 1990.
"Linda Vallejo," Caminos, October 1980. Vol. 1, No. 6.
"Urban Prayers: The Celestial Imagery of Linda Vallejo" -
Reina Prado, cultural activist, educator, and curator in Tucson, Los Angeles and San Francisco.
"Linda Vallejo and Los Cielos: Reaching for the Heavens" -
Susan Rinderle, journalist.
"Linda Vallejo," Artweek. Vol. 25, No. 7.
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Number
of Critiques : 8
RUDY TORRES
12/22/2005
Your work has always had my respect. Good luck with Correia gallery I guess Idont have enough experience for them ?Jealous ?
MANUEL JESUS MENCHACA
10/14/2005
Srita. Vallejo
here its almost 12:30 am pst and I am still admiring your most beautiful works.....my soul is now refreshed.....i will sleep most peacefully.....gracias y mucha dicha
su admidador artistico, Manuel
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