Eighteen Scholars of the Tang
Anonymous, Sung Dynasty (960-1279)

The Art and Aesthetic of Form:
Selections from the History of Chinese Painting
Galleries 210, 212
2002/10/05 - 2002/12/25

What allures viewers to ancient paintings?  What impels collectors to put forth all of their energies and collect with such passion?  Even for those of us with no intention to collect, it is still possible to experience the powerful appeal of old paintings at the National Palace Museum.

How did ancient people appreciate paintings outside of museum cases?  Why are Chinese paintings viewed without frames?   How were they collected?  Without watercolor or oil paint, are ancient paintings nothing more than just "black and white paintings?"

While China may not have a Leonardo da Vinci, her ancient painters are nonetheless worthy of admiration. Hsia Kuei of the Sung Dynasty, Ni Tsan of the Yuan, Wen Cheng-ming of the Ming, to name but a few, were all famous and influential artists.  Although Chinese art history may lack designated periods such as the "Renaissance," "Baroque," or "Impressionist" eras, it is nonetheless an intricate and fascinating subject.   This special exhibition will lead visitors to discover the distinctive painting styles of the Sung, Yuan, Ming and Ching dynasties, and help them to understand both the essential qualities and the evolution of Chinese painting.